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With the Van Gogh Copies
In my grandmother’s back yard with commissioned copies of Van Gogh paintings that my father painted. Late 1970’s

The Language of Flowers
Please join us for a presentation on flower painting technique throughout history. The talk and slide show will be a part of our Alla Prima

Giving a Painting Demonstration
Image Courtesy Degas Gallery, New Orleans Giving an alla prima painting demonstration. The Fine Arts Preservation Society of New Orleans classes have been visiting and

Curating Circe, a new exhibition at Smith Contemporary in the New Orleans Arts District
Curator’s Statement by Saskia Ozols: “All living and inanimate things are equally myth and equally miracle.” (Losev, Aleksei Fyodorovich The Dialectics of Myth ) This exhibition explores

My father’s easel: a connection between the Ozols Studio and Thomas Eakins.
After weeks of refusing the strongly suggested offer to use this easel I finally rolled it over to my painting spot today. This is my

Paintings of Cherubs
Left Panel, “The Divine Twins” 2013 Oil on Linen Right Panel, The Divine Twins, 2013

At the Reception for “Camellias” Exhibit, Degas Gallery, December 2024″
At the exhibit, December 2024. With my father, Jaques Soulas, and my kiddos. This was a fun show to be a part of! All paintings

Hand Lettering by Saskia Ozols at the Louisiana Governor’s Mansion
My father showing the boys his mural at the Governor’s Mansion in Baton Rouge. We had the great fortune to be invited for lunch at

Preparing for a Party (Making Arrangements)
Preparing for a Party. Saskia Ozols, 2025. Oil on Prepared Panel This painting highlights the autumn blossoms of New Orleans arranged in and around artwork

Child of an Artist Pictured with father and Maternal Grandmother: My Confirmation. Mid-1980’s
At my confirmation with my maternal grandmother https://ozolscollection.org/who-was-marie-cornelievan-dorp-laan-happy-birthday-to-this-first-supporter-of-noafa-wildflower-gardener-lecturer-and-native-plant-activist-extraordinaire/and father https://ozolscollection.org/about-auseklis-ozols/, 1980’s, New Orleans . Photo source unknown. It is so interesting how life changes. Here

Curator’s Statement: Traditions and Transformations, as curator for the Renegade Artist’s Collective Annual Exhibition
My son Reading the Curator’s Statement at an exhibition for the Renegade Artist’s Collective I was grateful to have been invited to curate this exhibition

Seminar at the Louisiana Art & Science Museum-what a fun day!
This class welcomes both experienced oil painters and beginners. The focus will be on the unique color palette of the ancient Egyptians. Each student will

Wall text created by Academy of the Sacred Heart for the 2024 Alumnae Exhibition I am so honored to have been mentioned in the text

White Linen Night 2024
Robert Warrens, Auseklis Ozols, and Sylvia Schmidt at Arthure Roger Gallery Arthur Roger and Auseklis Ozols Critique? On the Way into Le Mieux Indra Ozols

Contemporary Vanitas Series: 7 New Paintings by Saskia Ozols in Gryder Gallery’s “Beyond Realism” group show. August 3rd, 2024.
Vanitas III: Danse Macabre, Saskia Ozols. Oil on Panel, 9″ x 12″ 2024 This series of 7 new paintings will be on view at Gryder

On Varnishing Pictures
Time to prepare to varnish (clean and vacuum every piece of dust/dog hair that might be inclined to float/settle on a painting; move everything off

Wilted
Wilted, Saskia Ozols. 5″ x 7″ Oil on Panel, 2024. This painting is part of an in progress series I am creating on the theme

Peonies in a Dutch Porringer
Peonies in a Dutch Porringer, Saskia Ozols. Oil on Panel, 11 x 14″ 2024 This work is part of a series I will exhibit at

Spider Lillies
Spider Lillies, Saskia Ozols. Oil on Panel, 10″ x 10″ 2024 This painting of spider lillies is part of an in progress series of contemporary

Vanitas II: Memento Mori
Vanitas II: Memento Mori Saskia Ozols. Oil on Panel, 24″ x 12″ 2024 This painting is the second in a series of Vanitas Paintings that

Vanitas III: Danse Macabre
Vanitas III: Danse Macabre, Saskia Ozols. Oil on Panel, 9″ x 12″ 2024 This group of Vanitas paintings explore the relationship between the material and

Vanitas I: Rights of Spring
Vanitas I: Rights of Spring, Saskia Ozols. Oil on Panel, 24″ x 12″ 2024. This group of Vanitas paintings explore the relationship between the material and the

STUDIO SALE!
Summer Studio clear out! Making room to make new artwork….Available paintings include demonstrations from life for the Fine Arts Preservation Society of New Orleans and


The Storm (Survivor)
Saskia Ozols. The Storm ( Survivor) Oil on Canvas with Conte, Ink, and Graphite. 48 x 60″ 2017-2019. Collection of the Artist This painting is

Sasanquas (Pink Snow) December in New Orleans
New Sasanqua painting: oil on panel, 5 x 7″

Fleshtones: Mixing from Primary and Two Secondary Colors
Strengthen your painting in this short course on color mixing techniques for flesh tones. With only the primary colors, two secondaries + white all shades

Christmas & Holiday Commissions
I am now taking reservations for Christmas and Holiday commissions! The Sasanqua buds are growing and preparing to blossom! Please get in touch if you

Curating an exhibition at the MIT Center for Theoretical Physics: “Luba Kostenko’s Musicians”
Luba Kostenko, The Orchestra. 1980, Collection of the Rostov on Dom Regional Museum of Fine Arts. While living in Boston I curated an exhibition of

Catalogue and Exhibition Essay as Curator, Collins C. Diboll Art Gallery, Loyola University
In 2019 I curated an exhibition at the Collins C. Diboll Art Gallery of Loyola University New Orleans. The artist showcased was from New York

Publication: “Beyond the Path of the Peredvishniki: An Examination of Realist Painting Techniques between Ilya Repin, Thomas Eakins, and John Singer Sargent. An investigation into similarities of manner, means, and method that places Russian Realist Painting in Direct Action with Criteria for technique and theory that structure American Realist Painting.” (Saskia Ozols)
In 2018 I spoke at the London Center for Interdisciplinary Research. My paper was accepted for presentation and publication. “Beyond the Path of the Peredvishniki:

Painting in Maine, 2012
Painting in Maine, 2012. I did a series of small oil paintings in Maine. On this day I was painting the two treason the distance

Helping with a mailing, Academy Kitchen, 1980’s
My sisters and I helped our father both in his studio as well as at NOAFA. Here we are in our school uniforms helping with

At the Pennsylvania Academy of Fine Arts
An article on my cresson wall (2000) in the pafa museum, with my father who won the same award in 1964.

Publication, “The Dialectics of Impropriety: Realism, Classicism, and a Feminist Voice” by Saskia Ozols
Paper Presentation and Publication from the Representation Art Conference, 2012. The Conference took place in Ventura, CA and after submitting an abstract to a call

Passages: 2017 Solo Exhibit in New Orleans Arts District
With my sister at this 2017 solo exhibition, Passages. This was my first exhibit after moving home from abroad in 2016, and took place at

Helping my Father with a Mural, late 1990’s/early 2000’s
Helping my father with one of his many enormous mural commissions. In this case the canvas was stretched on a studio wall and painted off-site.

2018 Curator’s Talk: Responsorial: The Second Sex and the Contemporary Dialectics of Misogyny (Saskia Ozols)
This picture was taken during my curator’s talk for the national exhibition, Responsorial, The Second Sex and the Contemporary Dialectics of Misogyny. I did a

Painting the Neva River in St. Petersburg, Russia
This painting of St. Isaac’s Cathedral was from a trip to St Petersburg in 2010. I exhibited the painting in Philadelphia, and it was used

Curating an Exhibition in Moscow
While living in Moscow, I curated an exhibition entitled: Persephone’s Garden, Images Inspired by Femininity and Its Transformative Creative Power. March, 2015, Moscow, Russia. For

Painting the Cathedral of the Annunciation in Moscow, 2015.
Working on a painting along the Moscow River of the Cathedral of the Annunciation. I was painting with an artist friend a met from the

Speaking with LPB about the importance of the Visual Arts Community in New Orleans, 2007
I was interviewed by Louisiana Public Broadcasting, and spoke about the importance of the visual arts community in New Orleans. I returned home from Katrina

In the Cast Hall, PAFA.
This photo was taken in the cast hall of the Museum of the Pennsylvania Academy of Fine Arts. This is a private area of the

Presenting a paper/lecture on Figurative Painting at the Representational Art Conference, 2017.
Discussing Eakins during my paper presentation and talk/slideshow at the Representational Art Conference/Figurative Art Convention in Miami, Florida 2017. The title of my paper was:

Painting along the Mississippi River in New Orleans
Here I am painting the Mississippi River Bridge in New Orleans, sitting on the levee in the French quarter. I was painting with a group

Painting In Boston at the Copley Society of Art
Here I am painting Harvard Bridge for an exhibition at the Copley Society titled : “Fresh Paint!” This was a fun annual plein air painting

At the Philadelphia Sketch Club, 2009. 146th Annual Exhibition.
This quick study of a Peonie was exhibited in the 146th annual juried exhibit at the Philadelphia Sketch Club. It was done from direct observation

Standing in front of my work at a New Orleans Exhibition, 2003-2004
Standing in front of my work at NOAFA, 2003

Artist’s Journaling: An old sketchbook with a fig leaf from the Fountain at Delphi
The importance of journaling as an artist allows a record of observation while “uninspired,” and offers material for future work and thought. This is one

An Art Travel Map for Europe
After winning the Cresson European Traveling Scholarship from The PAFA Museum School, My father made haste to send me a hand drawn map of his

At my solo exhibition, “Binate Entities” in front of Soren-Christenson Gallery in 2013.
In October 2013, I exhibited a series of work entitled “Binate Entities.” The show took place at Soren-Christensen gallery in the arts district of New

At the Diaghilev Museum of Contemporary Art in front of my work, 2014
Standing with curator Tatiana Yurieva at the Diaghilev Museum of Contemporary Art in St. Petersburg, Russia. We are in front of my work at a

Portrait of Saskia Ozols by Donn Young
Donn Young, Photographer, made a portrait of me in 2005, after Hurricane Katrina. We were in the third floor painting studio with no air conditioning.

Painting Demonstration in the Collection of the Peabody Historical Society, MA.
I was invited to paint and demonstrate traditional technique in still life painting at the Peabody Historical Society while I was living in Boston. The

In Front of my work at an Art Opening in Old City, Philadelphia.
In front of my work at a group exhibit with Kate Samworth in Philadelphia, early 2000’s. Artist’s House Gallery, Old City Arts District, Philadelphia. I

Bringing a Canvas home from the Art Supply Store in Moscow
Preparing materials for an exhibition, 2014. Here I was pushing a double stroller home from the art supply store with a large canvas balancing on


First solo exhibit at NOAFA as a faculty member. Photo from Times Picayune, October, 2004.
This was my first Exhibit as a faculty member at NOAFA. I returned to New Orleans in 2003 to accept a position teaching drawing and

Three, NOAFA. Photo by Auseklis Ozols. (Patsy Adams, Dorothy Coleman, Saskia Ozols.)
At Noafa, helping after school in my Sacred Heart uniform. Maybe 5th grade. With Dorothy Coleman (Gigi) and Patsy Adams. Photo by my father AO.

White Linen Night, 2023
At Gryder Gallery in front of my work, white Linen Night 2023 I exhibited 6 new paintings in the Botanicals exhibit at Gryder Gallery. Curated

Antique Opium Pot with Alligator Bones and Blossoms
Antique Opim Pot with Alligator Bones and Blossoms, Saskia Ozols. Oil on Panel, 6 x 8 ” 2023 This painting is part of a series

Writing About Art
Taking notes on an exhibition for the French Quarter Journal. Summer 2023 I love visiting exhibitions, writing about art, and sharing ideas as much as

Traditions and Transformations with the Renegade Artists Collective
At the exhibit I curated for the Renegade Artist’s Collective entitled Traditions and Transformations. March, 2023. Photo by Nonney Oddlokken. Pictured is a small group

Found Object Paintings
The boys and I found this nest under a tree on a walk one day. It has a similar structure to one that re-appears every

Blessings
This painting of found feathers explores relationships of color, texture, and form with symbolism.

Yesterday’s Thorns, by Saskia Ozols. (oil on prepared panel, 2023)
This painting explores the act of maintaining hope amidst extreme suffering and indescribable struggle. Utilizing contrasts in texture and symbolism the spatial relationships within the

One Day Workshops Now Available
In front of the Boston Public Library on Copley Square, Boston, MA. in 2012. One of the locations from my course Boston’s Museums, Art Collections and

New Class Announcement: New Orleans Museums, Art Collections and Artists
Join us at 4 Different Locations to investigate the Artistic Process from Creation to Exhibition. This seminar explores the contributions, impact, and diversity of the

Drawing the Antique at the New Orleans Museum of Art, June 12-16th, 2023
Please join us in the New Orleans Museum of Art this June 12-16th. Working directly in front of a source at NOMA is an unforgettable

A Commission for the Anglican Church of Moscow, and kiddos helping.
I was invited to produce a design for the Anglican Church of Moscow. The kiddos and I worked diligently to create something that would work.

Painting with Babies
I took this photo as I was preparing for my 2013 solo exhibition Binate, which opened on Julia st. in the Arts District of New

2013 Art Exhibit in Philadelphia. ” Saskia Ozols Eubanks showcases nature’s beauty, through graceful, sinuous lines. Eubanks recreates traditional classicism from paintings of the New England landscape to academic paintings of nudes, flowers and fruits.” (Gina DeCagna, Best of Contemporary Realism)
This photo was taken by one of the owners of the gallery in Philadelphia, 2013. Lorraine Riesenbach invited me to exhibit in Artist’s House Gallery

William Emlen Cresson European Traveling Scholarship: Saskia Ozols, year 2000.
I won the Cresson European traveling Scholarship in the year 2000, https://pafaarchives.org/page/cresson as a third year student at the Pennsylvania Academy of Fine Arts https://www.pafa.org/about

New Orleans Flora: 6 Paintings by Saskia Ozols on view at Indra Botanica Nov. 12
Please join us at Indra Botanica to view flower inspired artwork by Saskia Ozols, Indra Ozols, and Auseklis Ozols. 639 N. Murat St, 70119. Saturday

The Survivor
This painting, Survivor, was part of a series of paintings I did about passages in 2017. Passage between place, situation and environment. It is a

Pink for Breast Cancer Awareness Month: Celebrating Survivors through Art.
October is breast cancer awareness month; I am sharing this painting as a reminder as the pink in this sasanqua is also used for remembrance

Saskia Ozols, MFA; Education, Exhibitions and Curatorial/Teaching Experience
Education Master’s Degree in Fine Arts, Drawing and Painting, 2003. Museum School of the Pennsylvania Academy of Fine Arts Four Year Certificate of Fine Arts,

New Paintings included in upcoming Le Mieux Galleries Exhibit, “And Now for Something New” Opening August 6th, 2022
Please Join us on White Linen Night, at Le Mieux Galleries to view some new work. The exhibition, And Now For Something New Part IV, will be on view for the

Art as Life
For me the act of living is inextricably tied to the act of painting. Art is life. If we seek out truth and beauty to

Varnish Day! Preparing for an Exhibition
Varnish day for paintings in preparation for exhibition! Almost the last step….why varnish ? Varnish provides a protective layer between the painting and the environment.

Arrangement with Passionflowers, Thorns, and Moth.
Arrangement with Passion Flowers, Thorns, and Moth with a Butterfly Vase. This painting represents juxtapositions and cyclical occurences between relationships of opposites. It depicts the

Between Seasons
This painting represents the movement between seasons through the representation of the last blossoms of one tree with the ripening fruit of another.

Happy International Women’s Day !
This painting represents both stasis and action through the combination of two contrasting gestures. I painted it in early spring while living in Moscow awaiting

Waiting Through Winter (Kumquats with Meyer Lemon Blossoms in Antique Delft)
Fresh off of the easel and finally finished ! I began this painting last autumn when the fruit on my kumquat tree was first ripening.

New Growth After a Storm
This painting is arranged from the new growth that appeared after a difficult storm. Hurricane Ida tore through my garden while I watched, removing every

“White Sasanquas in a Netherlandish Cup,” by Saskia Ozols, featured in Fine Art Connoisseur Magazine July/August 2021
The July/August issue of Fine Art Connoisseur Magazine has included the painting: White Sasanquas in a Netherlandish Cup by Saskia Ozols. In the article, “Blooms